#WhatsUpToday February

February has been a short month, but a productive one! We finished our kimono sets, sent away several alterations and creations for Carnival celebrations in Trinidad and Italy, created a fit muslin for a wedding dress, created costumes for the Annapolis Film Festival Red Carpet Oscar Viewing Party, and dove into the stacks for inventorying purposes. We are slowly but surely adding each section of our Costume Closet to the website, so make sure you check back regularly, keeping in mind any themed parties you may be having in the future!  So you will see an emerging theme in our February #whatsuptoday... and that is... all our STUFF.

The Academy and Costume Design

The Oscars are this weekend, and we've been hard at work putting together a few red carpet-worthy dresses and one brilliant gold Oscar costume for a party.

Trevor in Oscars glory... literally!

The costume design nominees this year are unsurprising: Anna Karenina (period), Les Miserables (period), Lincoln (period), Mirror Mirror (fantasy/period), and Snow White and the Huntsman (fantasy/period). This is not a commentary as to whether these nominations are deserving; having only seen one of these I can't judge (and I have heard wonderful things about the subtlety of the Lincoln design, for one.) This is a commentary on the clear bias and/or lack of understanding that goes into choosing in the first place.

Costume design can be about big, glitzy "wow" pieces, or accurate period research, but it is also about the interpretation of a world, and telling characters' stories through the way they choose to present themselves. Subtle color, fabric, and silhouette choices are all vital aspects of storytelling that often get overlooked. Sometimes a costume piece can be the very thing that allows an actor to fully embrace his or her character; the structure (or lack thereof) gives them a physical basis from which to do their work.

Simply because a film is set in the present does not mean an incredible amount of costume research and painstaking design work did not go into the character design. And while work does not necessarily constitute brilliance, brilliance can be subtle. And subtlety takes work and ingenuity that is not always recognized by the Academy. Gorgeous couture gowns are worthy of acclaim, but so are a fisherman's cap and a perfectly distressed yellow t-shirt, if it tells the right story.

Great films tell a story, and when all the technical elements come together the story comes live for the audience. Costumes can be memorable and iconic whether the costume piece is Cinderella's ball gown or Juno's orange and white striped shirt, a fact we hope the Academy realizes the next time this great honor comes around.

What do you think about this year's nominees? Do you have any favorite modern costume pieces?